Works on paper I
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent working on layering 2 films, April 14th, 2014
Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014
Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014
Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014
Jean-Pierre Sergent working on the films for he show in Ornans, France: LE DÃâ°SIR, LA MATRICE, LA GROTTE & LE LOTUS BLANC
Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent blocking the screens, April 2014
Jean-Pierre Sergent studio's in april 2014
Jean-Pierre Sergent studio's in april 2014
Jean-Pierre Sergent studio's in april 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
The rolls of the BFK Rives paper. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artistââ¬â¢s studio, August 2015.
Jean-Pierre Sergent work in progress at the Besançon studio's for his new series of works on BFK Rives paper: Le désir, la matrice, la grotte et le lotus blanc, Spring 2014
- 1 > 21, Adjusting and taping two films together on the light-box table.
- 22 > 26, Reclaiming old silkscreen frames with the Karcher gun.
- 27 > 38, Coating the silkscreen frames with light sensitive emulsion.
- 39 > 48, Taping the films on the dried silkscreen frames.
- 49 > 57, Exposing the frames with the films in the light-box table and removing the unexposed emulsion.
- 58 > 70, Blocking the small pinholes on the silkscreen frames.
- 71 > 84, Mixing acrylic paint and hand silkscreen printing the images on Rives B.F.K. paper with a squeegee.
- 85 > 105, Unrolling rolls of BFK Rives paper and cutting it into large formats of 1.20 x 1.07 m and 0.60 x 1.07 m.
