This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on white B.F.K. Rives paper 250g (25,5 x 25,5 cm / 10''x10''), Fall 2020.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on yellow Wang Sketching paper 80g (25,5 x 25,5 cm / 10''x10''), unique prints, Fall 2020.

Pitch-art video showing some photos of work in progress on the silkscreen frames used for the printing of the new "Shakti-Yoni: Ecstatic Cosmic Dances" series, Summer 2019.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on yellow Wang Sketching paper 80g (25,5 x 25,5 cm / 10''x10''), Summer 2019.

This pitch-art video is presenting a miscellaneous selection of art prints from the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on white B.F.K. Rives paper 250g (25,5 x 25,5 cm / 10''x10''), printed during Summer 2019.

This pitch-art video is presenting a miscellaneous selection of photos taken during the work progress on silkscreen frames for printing the "Shakti-Yoni: Ecstatic Cosmic Dances" series, Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on white B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints, acrylic hand silkscreened on white B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on white B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2018.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2017.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2017.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2017.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2017.

This pitch-art video is presenting a miscellaneous selection from small works on paper of the "Shakti-Yoni: Ecstatic Cosmic Dances" series: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Summer 2017

This pitch-art video is presenting a miscellaneous selection from a new series of small works on paper: monoprints and editions of 5 prints, acrylic hand silkscreened on yellow Wang Sketching paper 80g & B.F.K. Rives paper (25,5 x 25,5 cm / 10''x10''), Spring 2017

Pitch-art video presenting a selection of fifty artworks realized from 1984 to 2016 in France, Canada and the USA, showing the successive evolution of the shapes and structures of my paintings during that time.

Pitch-art video presenting the Shakti-Yoni: Ecstatic Cosmic Dances series, 2016. Acrylic hand silkscreened on yellow Wang Sketching paper 80g & white or cream B.F.K. Rives paper, 280g, 25,5 x 25,5 cm / 10''x10'', 2016

Pitch-art video presenting the Bones & Flowers series, 2016, monoprints, acrylic hand silkscreened on B.F.K. Rives paper, 70 x 56 cm Rives B.F.K., 70 x 56 cm.

Pitch-art video presenting the new Bones, Flowers & Ropes series, 2016, acrylic hand silkscreened on yellow Wang Sketching Paper 80g, 80 x 60 cm.

Pitch-art video presenting a miscellaneous selection of artworks from Nature, Cultures, The Worlds Origin's exhibition at the Coubet Farm in Flagey (Courbet Museum), France, from March 1st to June 6th 2012.

Pitch-art video presenting a miscellaneous selection of the artworks exhibited at the Mayan Diary show at the Museum of Fine Arts in Mulhouse, France, from April 9th to May 29th 2011.

Pitch-art video presenting Entropic Suites, a miscellaneous selection of a new body of work of painting on Plexiglas, square painting on Plexiglas realized in Besançon in 2015, acrylic hand silkscreened and painted on the back of units sized 105 x 105 cm.

Pitch-art video presenting a miscellaneous selection of a new series of medium size works on paper: Bones & Flowers: The Metamorphosis of Life, edition of 77 monotypes, acrylic hand silkscreened on white & cream B.F.K. Rives paper, 70 x 56 cm, started in Fall 2015 in the Besançon studio.

The Large Paper series are large format silkscreen monoprints on B.F.K. Rives white paper, 48" x 42".

The work process is a fusion and an overlaying of images used from the printing of the works on Plexiglas series: The Entropic Suites. They are entitled "Garbage Prints", as I print them before the works on Plexiglas to check if registration and color are OK, without having any esthetics expectations for the results. This working process is freeing my mind from traditional esthetic frames and gives me a spontaneous access to the energy of the unconscious.

Pitch-art video presenting a selection of photos taken by Yves Petit, during the show and the installation of Mayan Diary, an 18 Plexiglas paintings installation of 3.15 m high x 6.30 m long and presented for the backdrop of the Traviata Verdi’s opera, staged by Didier Brunel, in March 13-16 2007 at the Besançon opera theater. With Special thanks to Didier Brunel, Yves Petit, all the technicians, singers and musicians of the Besançon theater & Emmanuel Grenard (assistant for the installation).

See more about this art works series: Scenography

Pitch-art video presenting a miscellaneous selection of still photographies showing site-specific walls installations of Plexiglas paintings assemblages, sizes to vary according to the exhibitions spaces. Since his arriving to his Brooklyn studio's, in 1993, Jean-Pierre Sergent have mainely being showing his work on Plexiglas throughout large monumental walls installations. His Plexiglas panels, 1.05 x 1.05 m are mounted directly on the wall, side by side, to create arts works specially suited to the different exhibitions spaces. His two last installations have been on display at the Mulhouse Beaux-Art Museum and was 2.10 m high by 10.50 m long, and at the Courbet Farm of Flagey in 2012, it was 3.15 m high by 6.30 m long.

Pitch-art video presenting Sketches, a miscellaneous selection of working notes and drawings done for layering the colors and shapes of the paintings to be realized. Also memories of art pieces or patterns encountered in Museums, as well as conceptual thoughts about the meaning of the works. They are also drawn during the working process and are traces of my time schedule studio's organization, because silkscreen printing process requires a lot of different stages like cutting the rolls of paper, cutting the ruby films, cleaning and exposing the silkscreen frames, choosing the colors and scheduling the printing, shooting the paintings etc...

Pitch-art video presenting a miscellaneous selection of a new series of small works on paper: Desire, Wombs, Caves & White Lotus, monoprints and editions of 5 prints, acrylic hand silkscreened on B.F.K. Rives paper, 25 x 25 cm.

Pitch-art video presenting a miscellaneous selection of a new series of small works on paper: Mangas, Yantras Y Otras Cosas, monoprints and editions of 5 prints, acrylic hand silkscreened on B.F.K. Rives paper, 25 x 25 cm. About the work: The print's images come mostly from Japanese mangas* sexual cartoons, Hindus Yantras* meditations drawings and genetics patterns from archaic cultures.

Pitch-art video presenting a miscellaneous selection of a new series Half Paper II, large monoprints acrylic hand silkscreened on BFK Rives papers, 0.61 x 1.07 m, screen printed concurrently with the paintings on Plexiglas. The themes of this works on paper series have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. His technic is utilizing a palimpsest silkscreen art technique, appropriating, accumulating and layering images one of top of the other.

Pitch-art video presenting a miscellaneous selection of a new series of Large Paper II, monoprints acrylic hand silkscreened on BFK Rives papers, 1,20 x 1.07 m, screen printed concurrently with the paintings on Plexiglas. The themes of this works on paper series have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. His technic is utilizing a palimpsest silkscreen art technique, appropriating, accumulating and layering images one of top of the other.

Pitch-art video presenting a miscellaneous selection of Entropic Suites, a new body of work of painting on Plexiglas, square painting on Plexiglas begun in Besançon in 2011, acrylic hand silkscreened and painted on the back of units sized 105 x 105 cm.

Pitch-art video presenting a miscellaneous selection of the continuation of the series Mayan Diary II, square painting on Plexiglas begun in New York, acrylic hand silkscreened and painted on the back, of units sized 105 x 105 cm, that are assembled together on the exhibition walls in order to create huge murals installations.

Started in 1999, this new huge body of works titled "Mayan Diary", completed in 2010, is composed today of a total of 170 paintings. The themes of this body of works have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. His technic is utilizing a palimpsest silkscreen art technique, appropriating, accumulating and layering images one of top of the other.

Pitch-art video presenting a miscellaneous selection of Sky Umbilicus, 2006. A new series of medium size works on paper: monoprints acrylic silkscreened on B.F.K. Rives paper, 76 x 56 cm. This work is inspired by the soul path in the in-between worlds (Life-Death-Life). Referring to the bardo in Buddhist traditions, japanese, Egyptian, Oceanian and pre-Columbian cultures and personal shamanic trances experiences.

Pitch-art video presenting a miscellaneous selection of Beauty Is Energy, a new series of medium size works on paper: monoprints acrylic silkscreened on B.F.K. Rives paper, 76 x 56 cm. It have been largely inspired to Jean-Pierre after the September 11/2001 tragedy :

Pitch-art video presenting a miscellaneous selection of Bondage & Freedom, 2003. A new series of small works on paper: monoprints and editions of 5 prints, acrylic silkscreened on B.F.K. Rives paper, 25 x 25 cm. It have been shown at Gallery 138, New York, in February 2005.
This body of art works have been completed at the Long Island City (queens, NY) artist's studio, were Jean-Pierre lived between 1995 and 2003.

Pitch-art video presenting a miscellaneous selection of Lady of the Ants, 2003. A new series of small works on paper: monoprints and editions of 15 prints, acrylic silkscreened on B.F.K. Rives paper, 25 x 25 cm. About the work : "Lady of the Ants" are my last prints realized in September 2003 at my Long Island City, New York studio. It is printed mainly in monotype and 5 editions of 15 prints, acrylic silkscreened on B.F.K. Rives paper 10"x10". It have been shown at Gallery 138, New York, in February 2005.

This serial work is a repetition of a mirrored image (taken from an pre-olombian Maya vase) of one Mayan deity mixing with life, sex, spirits and death symbols. The subtle color variations bring the viewer mind in a state of contemplation and conscious cosmic connection.

Pitch-art video presenting a miscellaneous selection of Dragon Lady, 2002. A new series of small works on paper: monoprints and editions of 7 prints, acrylic silkscreened on B.F.K. Rives paper, 25 x 25 cm. About the work : "This serial work is about spiritual light. It is printed with one image layered with one or two monochrome colors.

The Mayan image is of the voluptuous Dragon Lady. She seduced one of the principal deities of Xibalbà, the Maya land of the dead, whose power and reputation are comparable to Hades of the Greeks, or Pluto of the Romans.

Pitch-art video  presenting a miscellaneous selection of a new series of small works on paper: Duality, 1999. Monoprints and 6 editions of 6 prints, acrylic hand silkscreened on Serishi paper, 28 x 25 cm. About the work : "The erotic image never leaves us indifferent; it has a role and a function, hence its attraction, its violence, its perversity. It directly touches the spectator's soul. The libido represents both freedom and obligation: freedom to act as an individual and obligation to reproduce as a species. Art and Eroticism stand in opposition to society organized around work, thus becoming sulfurous, taboo. The more societies work, the less individuals achieve emotional and sexual climax, and this imbalance lodges itself between conscious reality and subconscious aspiration..."
This body of art works have been completed at the Long Island City (queens, NY) artist's studio, were Jean-Pierre lived between 1995 and 2003.

Pitch-art video presenting a miscellaneous selection of a new series of small works on paper: Dionysos, 1998. Monoprints and editions of 15 prints, acrylic silkscreened on B.F.K. Rives paper, 25 x 25 cm. About the work : "The erotic image never leaves us indifferent; it has a role and a function, hence its attraction, its violence, its perversity. It directly touches the spectator's soul. The libido represents both freedom and obligation: freedom to act as an individual and obligation to reproduce as a species. Art and Eroticism stand in opposition to society organized around work, thus becoming sulfurous, taboo. The more societies work, the less individuals achieve emotional and sexual climax, and this imbalance lodges itself between conscious reality and subconscious aspiration..."
This body of art works have been completed at the Long Island City (queens, NY) artist's studio, were Jean-Pierre lived between 1995 and 2003.

Pitch-art video  presenting a miscellaneous selection of Half Paper I, 1996-2003. A new series of large monoprints acrylic hand silkscreened on BFK Rives papers, 0.61 x 1.07 m, screen printed concurrently with the paintings on Plexiglas body of work. The themes developed in this works on paper series have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. The working process is a palimpsest silkscreen art technique, appropriating, accumulating and layering images printed one of top of the other. This body of art works have been completed at the Long Island City (queens, NY) artist's studio, were Jean-Pierre lived between 1995 and 2003.

Pitch-art video presenting a miscellaneous selection of Large Paper I, 1996-2003. A new series of large monoprints acrylic hand silkscreened on BFK Rives papers, 1.20 x 1.07 m, screen printed concurrently with the paintings on Plexiglas. The themes of this works on paper series have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. His technic is utilizing a palimpsest silkscreen art technique, appropriating, accumulating and layering images one of top of the other.

Pitch-art video presenting a miscellaneous selection of a new series of square painting on Plexiglas, acrylic hand silkscreened and painted on the back, of units sized 105 x 105 cm, that are assembled together on the exhibition walls in order to create huge murals installations. Started in 1999, this new huge body of works titled Mayan Diary I, 1999-2003, completed in 2010 is composed today of a total of 170 paintings.

The themes of this body of works have been largely inspired to the artist by his numerous trips to Mexico and Guatemala countries. His technic is utilizing a palimpsest silkscreen art technique, appropriating, accumulating and layering images one of top of the other.

Pitch-art video presenting a miscellaneous selection of a series of paintings on Plexiglas, acrylic silkscreened and painted on the back composed by several pieces organized into squares (mandala like) format units that could be joined together on the exhibition walls. This art works have been realized at the Long Island City (queens) artist's studio, were Jean-Pierre moved from Chelsea in 1995 and stayed until the end of 2003. This works have been exibited at the folowing exhibitions locations:

2002 Mayan Diary, Taller Boricua Gallery, New York, USA
1998 Suspended Time, French Institute, New York, USA
1997 Sous le Signe de Zorro, Galerie Vivas, Paris, France
1996 Body, Trace, Memory, Eight Floor gallery, New York, USA
1995 68 J Art group Show, Brooklyn, New York, USA
1995 Interpellation, Sorbonne University, Paris, France

See more about this art works series: New York 1993-1999

Pitch-art video presenting a miscellaneous selection of a series of monoprints acrylic hand silkscreened on B.F.K. rives paper (38 x 56 m). This is the first of the works on paper series that Jean-Pierre Sergent developed largely later on.... The art works have been realized at the DUMBO (Brooklyn) artist's studio, were Jean-Pierre moved from Montreal in April 1993 and stayed until the end of 1994.

Please click here to see more about this art works series: Works on paper

works of art from the Plexiglas painting series. First square modular paintings in 1.05 x 1.05 m format, silk-screened and painted, then assembled directly on the wall with velcro, to create large wall installations, such as on studio walls of 3.15 m by 6.30 m, were Jean-Pierre moved from Montreal in April 1993 and stayed until the end of 1994.

Please click here to see more about this art works series: New York 1993-1999

Pitch-art video presenting a miscellaneous selection of the Painting-Sculpture-Object. Acrylic painted on street-found objects and wood sticks assembled together with small Plexiglas pieces silkscreened with images. Art works realized at the DUMBO (Brooklyn) artist's studio, were Jean-Pierre moved from Montreal in April 1993 and stayed to the end of 1994.

Please click here to see more about this art works series: New York 1993-1999

Pitch-art video presenting a selection of polyptych paintings-assemblage of small rectangular Plexiglas pieces (17,5 x 35 m) mounted directly on the wall, completed in Montreal. This work is the important starting point of the new works Sergent developed later on in New York and that he continues to explore today : images collected and recuperated from newspaper clippings, photos and into the web, redesigned with computer programs and then silkscreened on the back of the Plexiglas panels.

Please click here to see more about this art works series: Paintings in Montreal 1991-1993

Pitch-art video presenting a selection of large abstracts color fields paintings on canvas polyptych panels, with included now some images (newspaper clippings and photos) silkscreened on small rectangular Plexiglas sheets, or industrial materials like aluminum, lead or copper sheets. Realized by the artist at his Montreal studio's in Canada,  during the years 1991-1993.

Please click here to see more about this art works series: Paintings in Montreal 1991-1993

Pitch-art video presenting a selection of abstracts paintings monochrome painted on canvas polyptych panels or cardboards, by the artist at his new studio in Montreal, Canada, were Jean-Pierre Sergent had moved and lived during the years 1991-1993.

Please click here to see more about this art works series: Paintings in Montreal 1991-1993

Pitch-art video presenting a miscellaneous selection of still photographs of large abstracts paintings monochrome painted on Masonite polyptych panels or cardboards, done at the studio in the farm La Fauconnière, were Jean-Piere Sergent used to raise and train horses in Charquemont, East side of France, during the year 1984 to 1991.

Please click here to see more about this art works series: Painings in France 1984-1991