Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent working on the films for he show in Ornans, France: LE DÉSIR, LA MATRICE, LA GROTTE & LE LOTUS BLANCJean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014The rolls of the BFK Rives paper. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.
Jean-Pierre Sergent travaillant sur les diverses étapes du procédé artistique dans l'atelier de Besançon, pour la réalisation de sa nouvelle série de petits travaux sur papier : Le désir, la matrice, la grotte et le lotus blanc, printemps 2014.
- 1 > 21, Juxtaposer et scotcher deux films sérigraphiques sur la table lumineuse.
- 22 > 26, Nettoyer les anciens écrans sérigraphiques au Karcher.
- 27 > 38, Appliquer l'émulsion photographique photo-sensible sur les écrans sérigraphiques.
- 39 > 48, Scotcher les films sur les écrans sérigraphiques secs.
- 49 > 57, Exposer les écrans dans la boite lumineuse et nettoyer ensuite l'émulsion non exposée.
- 58 > 70, Boucher les petits trous minuscules sur les écrans sérigraphiques.
- 71 > 84, Mélanger la peinture acrylique et sérigraphier les images sur le papier Rives B.F.K. avec une raclette.
- 85 > 105, Dérouler et découper les rouleaux de papier BFK Rives en formats de 1.20 x 1.07 m and 0.60 x 1.07 m.
